Sunday, October 24, 2010

Guest Post on Literary Minded

The blog Literary Minded has now posted a short essay I wrote about watching Christine Edzard's film of Little Dorrit. An extract is below.

In the Summer of 1989, I left my father’s home, which was never my home, not after my mother died. I couldn’t stand it there, in my father’s home, in the dark there, with the recessed windows and the ceilings, so low I used to bang my head on the doorjambs. The smell was what really used to get to me, as if it had seeped into the stone floors.

Child of an unfortunate father.

In the Summer of 1989, I left my father’s home, which was no longer my home. I left for Liverpool, knowing that I would only be there a few months, until I went north to university in October. I had no job and no money, but an older friend had just bought a gutted house that he was planning to renovate. I could stay there in one of the upstairs bedrooms.

A delicate appeal for a small temporary accommodation.

Tuesday, October 12, 2010

Seminar at Monash University on 20 Oct.

Cover image for Five Wounds

Next week I shall be giving a talk sponsored by the Centre for the Book at Monash University on the design of Five Wounds. The talk will discuss in more detail some of the issues introduced in these videos, and will also explain the ways in which Five Wounds draws upon the history of the printed Bible.

Details are below:

Wednesday 20 October 2010
5.45 – 7.15 pm

McArthur Gallery, State Library of Victoria, Swanston Street, Melbourne CBD

(Directions to the McArthur Gallery at the SLV: walk through main ground-floor reading room, take the stairs adjacent to central lifts to Cowen Painting Gallery [level 2A], walk straight across into the Redmond Barry Reading room, then look right for the double glass doors "Maps, Rare Books etc." If any problems, ask staff on the main reference desk)


Attendance is free and everyone is welcome.

Saturday, October 9, 2010

Tristram Shandy by Visual Editions

VE1 Tristram Shandy from Visual Editions on Vimeo.

Visual Editions manifesto:

We think that books should be as visually interesting as the stories they tell; with the visual feeding into and adding to the storytelling as much as the words on the page. We call it visual writing. And our strap line is “Great looking stories.”